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Kultúrna situácia (U.F.O.)

(c) Muzeum Sztuki Nowoczesnej w Warszawie
Kultúrna situácia (U.F.O.)
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    • Cultural Situation (U.F.O.)
    • Kultúrna situácia (U.F.O.)
  • 1991
  • tennis net and balls
  • 0,95 m x 12,65 m
Július Koller, who was himself a practicing athlete, has always also found a field of reference for his reality concepts in the regulations, the sequences of action and in the props of various types of sports. In addition to this option for action, Koller also finds here a formal reference to the motif of sequencing, the serial, the possibility of structural connection: the grid structure of the strings of a tennis racket, the tennis net (the mediator, the middle, the medium of the game, knotted into a serial, non-hierarchical structure) and fishing nets become permanent props in the U.F.O stock. G.S.