Manifest prírode
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Stano Filko's environment art between 1966 and 1968 accomodate for a free movement and interaction of the spectator. They can be characterized as an “active, dynamic, continuously changing environment“ which unlike the academic and classical art assume live action and the spectator's co-participation. In an apparent contrast to the traditionalist-oriented modernism, Filko accented a synthesis of all domains encompasing human activity; technology, science and arts. Every point in his manifesto of Universal Environment revolved around the utopist vision of modern gesamtkunstwerk. D.G.