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Kontakt Video Klub

The Cynics Republic – Plac Defilad


DISHONOUR: A CRITICAL ALTERNATIVE TO COMPETITIVENESS, May 10-11

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For the The Cynics Republic – Plac Defilad at Museum of Modern Art in Warsaw, which is a joint project of Museum of Modern Art (MSN) and Kontakt Collection, a Video Klub has been inspired by the MSN Warsaw Archives that provide a vast resources available online. The resources include a selection of films from the Filmoteka Muzeum – a collection of nearly 700 films by Polish avant-garde authors, presenting materials on key Polish artists and artistic life since 1945, recorded lectures, meetings and debates combined with a weekly changing selection of films from the Kontakt Collection in Vienna.

For the cynic, the systematic practice of dishonor is invaluable, arming him with resistance to others’ opinions, beliefs, and traditions. To hold out one’s hand, a gesture infamously tied with poverty, of dependence in its most unbearable form, confronts the beggar with themselves as insulted, despised, and humiliated by others. He shuns honours, he is dishonoured.

When asked why they were begging alms of a statue, the Cynic replied: To practice being turned down.

Waldemar Tatarczuk
Chleb-Wino-Krew, 1991
Mara Mattuschka
SOS Extraterrestria, 1993
Sanja Iveković
The Invisible Women of Erste Campus, 2016
Želimir Zilnik
Inventory (Inventur - Metzstrasse 11), 1975
Stuart Brisley
Being and doing, 1984
Marcus Geiger
Performance for The Bees, 2024
Agnieszka Brzeżańska
Blue Movie, 2008
Grzegorz G. Zgraja
Głowa / Head, 1978
Hans (Ashley) Scheirl
Hands Up! / Does he really have to die, Hände hoch! / Does he really have to die, 1979
Tomasz Sikorski
Kompromisy / Compromise, 1979
Waldemar Tatarczuk
Pomiędzy, 1991
Mara Mattuschka
Es hat mich sehr gefreut (I have been very pleased), 1986
Anna Daučíková
Ordinary Voyeurism – Night Scene, 1998
R.E.P. Group
Untitled Action, 2005
Milena Korolczuk
Białystość, 2010
Tomasz Sikorski
Zapisy, 1979